By Mr. Massimo Cacciari, Mr. Stephen Sartarelli
Massimo Cacciari, essentially the most influential social philosophers in Italy this day, is the founding father of the craze of feedback often called "negative notion" that makes a speciality of the failure of conventional common sense to explicate the issues of modernity. This e-book, which introduces his writings to an English-speaking viewers, offers a remarkable social and philosophical account of the twentieth-century city. Patrizia Lombardo's huge advent situates Cacciari's notion in the milieu of Italian political activism and philosophy among the Nineteen Sixties and the Nineteen Eighties, from his collaboration at the leftist magazine Contropiano to his lengthy organization with Manfredo Tafuri.
Cacciari experiences the relation among philosophy and smooth structure and applies the taking into consideration avant-garde architects, artists, and writers to the social and political difficulties raised through technological society. He starts via defining the fashionable city, utilizing the phrases and ideas of Georg Simmel and Max Weber, yet revealing the place their frameworks are restricted. He then examines the paintings of Adolf bogs and different architects and architects in early twentieth-century Vienna, exhibiting how their structure and feedback divulge the alienation and utopianism in notions of the natural urban. Cacciari demonstrates how structure intersects with town and the country but in addition with the internal of the non-public living and with its resistance to the exterior international. Bringing jointly philosophy, sociology, urbanism, hard work background, economics, and aesthetics, he is helping us understand through those disciplines an important interval within the background of modernity.
"An amazing unique paintings of scholarship and polemic."—John Paul Russo, collage of Miami
"Cacciari methods his 'mission to demystify' with an beautiful mix of stern sobriety and tentative delicacy."—Philip Tabor, Architectural Review
"An unique presentation which not just illuminates the narrative of recent structure and making plans yet, much more importantly, serves as an illustration of a surely highbrow architectural discourse."—Thomas A. Markus, occasions greater schooling complement
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Additional info for Architecture and Nihilism: On the Philosophy of Modern Architecture
Tafuri criticizes much of the historiographical tradition, what he calls, in a preface to the second edition, the "worn out idealist historicism" and even the "watered-down official Marxism" of Lucien Goldmann and Galvano Della Volpe. Here he aims, as in Architecture and Utopia: Design and Capitalist Development, to question the idea of architecture itself, always proposed as if it were an untouchable reality, an eternal value and not an ideological construction, an institution, a contin gent reality.
Everything has the dryness of a contract, the cruel logic of a negotiation under pressure, in a confrontational peak, where no passion is allowed because it would create confusion. The Italian Introduction xxx autunno ca/do (warm fall) of 1969, the period of violent strikes that lead to new agree ments between workers and capital, left its indelible imprint in Cacciari's style. That imprint will also mark his later books, even if they seem so far away from the preoccupations of the sixties and seventies.
Cacciari warns against what can be called the postmodern temptation, even if he never uses this term, neither in the seven ties nor in the eighties. He suggests that it would be completely wrong to interpret Loos's multiplicity as compositional eclecti cism: What is most important here is not the variety of languages but their common logical reference: the need for every ele ment and every function to formulate its own language and speak it coherently and comprehensively, to test its limits and preserve them in every form-to remain faithful to them, not wanting idealistically or romantically to negate them.
Architecture and Nihilism: On the Philosophy of Modern Architecture by Mr. Massimo Cacciari, Mr. Stephen Sartarelli